<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5326470025650430217</id><updated>2011-11-27T17:55:28.089-08:00</updated><category term='bolivia'/><category term='movie review'/><category term='communism'/><category term='latin america'/><category term='coke'/><category term='coca'/><category term='machuca'/><category term='drugs'/><category term='class conflict'/><category term='war'/><category term='imperialism'/><title type='text'>Cheese and Chocolate</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://gauravjaina.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://gauravjaina.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>jaina</name><uri>http://www.blogger.com/profile/02475558979306024602</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>9</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5326470025650430217.post-5430092619677361829</id><published>2011-03-27T03:14:00.000-07:00</published><updated>2011-03-27T03:15:02.634-07:00</updated><title type='text'>Battleship Code in LC-3 Assembly</title><content type='html'>&lt;span style="font-family:'Times New Roman';font-size:medium"&gt;&lt;pre style="word-wrap:break-word;white-space:pre-wrap"&gt;                                             .ORIG x3000 ;This program Runs a game of battleship between two players ;There are Subroutines for Displaying the Board,Checking of player wins ;Getting Input from user,Checking if input is valid and updating board ;The program calls these subroutines whenever required ;R1 is the Flag for Player, if R1=0, ; it is player 1, and its board will be loaded ;If R1=1, it activates all subroutines for Player 2   AND R1,R1,0  ;Initialises R1, the flag  LEA R0,PLAYER1  ;Loads R0 with "Player 1" String  TRAP x22  ;Prints String  JSR display  ;Jumps to Display Subroutine(Player 1 Board)  LEA R0,PLAYER2  ;Loads R0 with "Player 2" String  TRAP x22  ;Prints String         ADD R1,R1,1  ;Adds 1 to R1         JSR DISPLAY  ;Jumps to Subroutine Display(Player 2 Board)         ADD R1,R1,-1  ;Subtracts 1 from R1, makes it 0         JSR CHECK_WIN  ;Check win for Player1         ADD R1,R1,1  ;R1&amp;lt;-1         JSR CHECK_WIN  ;CheckWin for player1         AND R1,R1,0  ;R1&amp;lt;-0  ;This Subroutine Controls the whole program, Calls Various Subroutines ;And updates value of R1 and decides whose Turn it is MAINPROG  ADD R1,R1,0  ;R1&amp;lt;-R1+0  BRp PL2   ;Jumps to PL2 if Positive  LEA R0,PLAYER1  ;Loads R0 with "Player 1" String  TRAP x22   ;Prints String  JSR DISPLAY  ;Jumps to Display Subroutine  BRnzp INPUT  ;Jumps to Input Label PL2 LEA R0,PLAYER2  ;Loads R0 with "Player 1" String  TRAP x22  ;Prints String  JSR DISPLAY  ;Jumps to Display Subroutine   INPUT   JSR GET_INPUTS  ;Jumps to GET_INPUTS Subroutine UPDATE  JSR UPDATE_BOARD ;Jumps To Update Board Subroutine            AND R5,R5,0   ;Initiliazes R5          LD R5,GUESSED  ;Loads r5 with Valid/Invalud guess notice          BRnp INPUT  ;Branches to Input if Invalid        ADD R1,R1,0  ;Add 0 to r1         BRz FST_PLY  ;Branches to Nest Player if zero         JSR DISPLAY  ;Jumps to Display Subroutine   JSR CHECK_WIN  ;Jump to Check_WIN Subroutine   AND R1,R1,0  ;Initializes R1          BRnzp MAINPROG  ;Branches back to MAINPROG  FST_PLY     JSR DISPLAY  ;Jumps to Display Subroutine      JSR CHECK_WIN ;Jump to Check_WIN Subroutine               ADD R1,R1,1  ;R1&amp;lt;-R1+1      BRnzp MAINPROG ;Branches back to MAINPROG    ; DISPLAY subroutine ;I have decided to run 2 loops,labelled LOOP1 and LOOP ;LOOP is the inner LOOP and will first check memory address if it is X0000 ;Using z condition code  ;If Zero. it jumps to label ELSE3 and prints " " on screen ;If not 0, there may be 3 numbers, x0010,x0011, or x0001 in database address; ;x0001 should print M for Miss,x0002 should print " " space, ;X0011 should print H for Hit ;The program then subtracts 2 from the value stored in memory location, ;after it is put in R1,    ;Subtracting 2 from x0001 gives us a negative no, ;using n condition code, we direct it to print "M" ;Subtracting 2 from x0011 gives us a positive no, ;using p condition code, we direct it to print "H" ;Subtracting 2 from x0010, gives us zero, ;using z condition code, we direct it to print a space " " CELL .STRINGZ " |" CELL1 .STRINGZ "|" COLUMN_NUMBERS .STRINGZ "\n     0   1   2   3   4   5   6   7   8   9\n" HORIZONTAL_RULE .STRINGZ "   +---+---+---+---+---+---+---+-&lt;wbr&gt;--+---+---+\n"  NEWLINE .FILL x0A       ; \n CHAR_H .STRINGZ " H" CHAR_M .STRINGZ " M"                        ; 'M' CHAR_SPACE .STRINGZ " "    ; ' ' DOUBLE_SPACE .STRINGZ "  "  PLAYER1 .STRINGZ "\nPlayer 1" PLAYER2 .STRINGZ "\nPlayer 2" PLAYER1_WIN .STRINGZ "\nPlayer 1 wins\n" PLAYER2_WIN .STRINGZ "\nPlayer 2 wins\n" PLAYER1_BOARD .FILL x4000        ;stores address x4000 for player one's board PLAYER2_BOARD .FILL x5000        ;stores address x5000 for player two's board  SAVER0 .BLKW 1 SAVER1 .BLKW 1 SAVER2 .BLKW 1 SAVER3 .BLKW 1 SAVER4 .BLKW 1 SAVER5 .BLKW 1 SAVER7 .BLKW 1  GUESSED .BLKW 1 DISPLAY    ST R0, SAVER0 ;Stores Values Of all registers in LaBels   ST R6, SAVER1       ST R2, SAVER2   ST R3, SAVER3   ST R4, SAVER4   ST R5, SAVER5   ST R7, SAVER7      ADD R1,R1,0   ;R1&amp;lt;-R1+0            BRp PLAYER_2           ;Branches to Player_2 of positive            LD R3, PLAYER1_BOARD   ;3 is pointer to memory X4000, PLayer1 Board     BRnzp DONE    ;Branches to DONE, Skips next line  PLAYER_2   LD R3, PLAYER2_BOARD   ;3 is pointer to memory X4000, PLayer1 Board  DONE    LEA R0, COLUMN_NUMBERS      ;loads R0 with column nummbers 0 to 9            TRAP x22         ;Prints the string of column numbers on screen               LEA R0, HORIZONTAL_RULE     ;loads R0 with horizontal rule             TRAP x22                    ;prints first horizontal rule on string            AND R0,R0,0                 ;Initializes R0             AND R5,R5,0                 ;Initializes R5- Counter for Loop1              ADD R5,R5,10               ;Adds 10 to R5, Loop 1 will run 10 times            LD R2, CHAR_LC_A                 ;Loads r2 with ascii character 'a'                                ;Will be incremented to show b,c,d and so on LOOP1      AND R4,R4,0                 ;R4 is counter for LOOP, Initialized=0            ADD R4,R4,10                ;Sets R4 to 10, Loop will run 10 Times            LEA R0, CHAR_SPACE           ;Loads R0 with char_space            TRAP x22                    ;prints a space on screen            ADD R0,R2,0                 ;Loads R0 with value of R2                                        ;R2 contains ascii character            TRAP x21                    ;Displays character on screen            ADD R2,R2,1                 ;Increments R2                                        ;next character will be displayed            LEA R0, CHAR_SPACE           ;loads R0 with space                TRAP x22                    ;Displays " " on screen            LEA R0, CELL1               ;Loads R0 with Cell1 string "| "            TRAP x22                    ;Displays "| " on screen  LOOP       AND R6,R6,0                 ;R1 is initialized                  LDR R6,R3,0                 ;R1 &amp;lt;-R3(contains address to memory"            BRnp ELSE                   ;If not zero, jump to ELSE conditon                                        ;checks wether the memory contains 0 ELSE3      LEA R0, DOUBLE_SPACE           ;Fills R0 with space value            TRAP x22                    ;Prints space on screen            BRnzp PRINTCELL             ;Prints " | " for divider                                        ;Skips labels ELSE and ELSE2   ELSE       ADD R6,R6,-2                ;Subtracts 2 from R1            BRp ELSE2                   ;Jumps to ELSE2 if positive             BRz ELSE3                   ;Jumps to ELSE3 if Zero            LEA R0, CHAR_M               ;If negative, Fills with M            TRAP x22                    ;Prints M for Miss            BRnzp PRINTCELL             ;Prints " | " for cell divider                                        ;Skips label ELSE2       ELSE2      LEA R0, CHAR_H               ;ELSE 2 - Fills R0 with H             TRAP x22                    ;Prints H for Hit PRINTCELL   LEA R0, CELL                ;Loads R0 with Cell divider         TRAP x22                      ;Prints cell string " | "             ADD R3,R3,1             ;Increment pointer R3, Address to memory                                        ;Next memory Location is stored in R3            ADD R4,R4,-1                ;Decrements R4 with 1,                                         ;R4 is counter for inner loop               BRp LOOP                   ;If R4 is not zero, Jumps to LOOP,                                        ;LOOP runs again if R4 is not zero ;End of inner labeled LOOP, Horizontal Spaces filled with Hit miss or Space             LD R0, NEWLINE              ;Loads R0 with new line "\n"             TRAP x21                    ;Displays next line on screen             LEA R0, HORIZONTAL_RULE     ;Loads R0 with Horizontal Rule String             TRAP x22                    ;Prints Horizontal Rule on screen             ADD R5,R5,-1                ;Decrements R5, Counter for LOOP1             BRz RETURN              ;Jumps to exit if R5=0             BRnp LOOP1                  ;Jumps to LOOP1 and runs it again                                         ;If value of R5 is not zero,runs LOOP1    RETURN  LD R0, SAVER0  ;Loads Back register Values                 LD R6, SAVER1                 LD R2, SAVER2                 LD R3, SAVER3                 LD R4, SAVER4                 LD R5, SAVER5                 LD R7, SAVER7                 RET   ;return To Program  INV_GS_MSG .STRINGZ "\nCell has been guessed already.  Choose another cell.\n" CHAR_ZERO .FILL x30     ; '0' CHAR_LC_A .FILL x61     ; 'a'    ; CHECK_WIN subroutine  SAVER01 .BLKW 1 SAVER11 .BLKW 1 SAVER21 .BLKW 1 SAVER31 .BLKW 1 SAVER41 .BLKW 1 SAVER51 .BLKW 1 SAVER71 .BLKW 1 CHECK_WIN                  ST R0, SAVER01 ;Stores register values in labels                 ST R6, SAVER11                 ST R2, SAVER21                 ST R3, SAVER31                 ST R4, SAVER41                 ST R5, SAVER51                 ST R7, SAVER71      ADD R1,R1,0  ;R1&amp;lt;-R1+0          BRp CHECK_PLAY2  ;Branches To CHECK_PLAY2 if positive           LD R2,PLAYER1_BOARD ;Loads Player 1's Board in R2   BRnzp LOAD  ;Skips next line, Branches to Load CHECK_PLAY2     LD R2,PLAYER2_BOARD ;Loads Player 2's Board in R2            LOAD  LD R6,HUNDRED  ;LOADS VALUE OF HUNDRED IN R1,COUNTER WINLOOP  AND R4,R4,0  ;INITIALIZES R4    LDR R4,R2,0  ;LOADS VALUE OF R2 ADDRESS IN R4    ADD R4,R4,-2  ;SUBTRACTS 2 FROM VALUE STORED IN ADDRESS   BRz NOTWIN  ;JUMPS TO NOT WIN, AS IF 10 IS THERE,    ADD R2,R2,1  ;SHIP REMAINS UNGUESSED   ADD R6,R6,-1  ;DECREMENTS R1(COUNTER)   BRp WINLOOP  ;RUNS LOOP IF POSITIVE,I.E. NOT ZERO   ADD R1,R1,0  ;R1&amp;lt;-R1+0           BRp PLAY2_WIN  ;If R1 is +ve, Branches to PLAY2_WIN                 LEA R0,PLAYER1_WIN ;Loads Player 1 wins Message           TRAP x22  ;Prints String           TRAP x25  ;Halts Program PLAY2_WIN   LEA R0,PLAYER2_WIN ;Loads Player 2 wins message            TRAP x22  ;Prints String           TRAP x25  ;halts Program  NOTWIN   LD R0, SAVER01  ;Loads Back Register values                 LD R6, SAVER11                 LD R2, SAVER21                 LD R3, SAVER31                 LD R4, SAVER41                 LD R5, SAVER51                 LD R7, SAVER71   RET   ;returns to where it was called from   ;your code goes here  HUNDRED .FILL x64  ROWVAL .BLKW 1 COLVAL .BLKW 1  ; UPDATE_BOARD subroutine ;ROWVAL AND COLVAL CONTAINS INPUTS OF ROW AND COLUMN TAKE FRM USER SAVER72 .BLKW 1 UPDATE_BOARD    ST R7, SAVER72   LD R5,COLVAL  ;LOADS COLUMN VALUE IN R5   LD R4,ROWVAL  ;LOADS ROW VALUE IN R4   LD R6,CHAR_LC_A  ;LOADS R1 WITH ASCII CHARACTER a   NOT R6,R6  ;PERFORMS NOT ON R1   ADD R6,R6,1  ;ADDS 1, THIS GIVE NEGATIVE VALUE   ADD R6,R6,R4  ;SUBTRACTS 'a'VALUE FROM ROWVAL ;THIS IMPLIES THAT WE HAVE VALUES 0-9 CORRESPONDING TO a-j(REDUCED ROW VALUE) ;WE WILL MULTIPLY THIS VALUE BY 10 AND ADD 0-9 CORRESPOINT TO COLUMN VALUE ;I.E. REDUCED COLUMN VALUE ;THIS WOULD GIVE ADDRESS OF SQUARE     LD R2,CHAR_ZERO  ;LOADS R1 WITH ASCII CHARACTER a   NOT R2,R2  ;PERFORMS NOT ON R1   ADD R2,R2,1  ;ADDS 1, THIS GIVE NEGATIVE VALUE   ADD R2,R2,R5  ;SUBTRACTS '0'VALUE FROM COLVAL ;THIS IMPLIES THAT WE HAVE VALUES 0-9 CORRESPONDING TO ASCII 0-9       AND R4,R4,0  ;INITIALIZES R4   ADD R4,R4,10 ;R4 IS COUNTER TO MULTIPLY ROWVAL BY 10   AND R5,R5,0  ;WE WILL SAVE MULTIPLIED VALUE IN R5 MULTIPLY ADD R5,R5,R6  ;LOADS REDUCED ROW VALUE IN R5   ADD R4,R4,-1  ;DECREMENTS COUNTER   BRp MULTIPLY  ;RERUNS MULTIPLY LOOP IF COUNTER +VE   ADD R5,R5,R2  ;ADDS REDUCED COLUMN VALUE TO ;10*REDUCED ROWVAL. EG. j,9 WILL GIVE US x63        ADD R1,R1,0  ;R1&lt;r1+0 brp="" playa2="" branches="" to="" if="" positive="" ld="" player1_board="" loads="" player="" 1="" board="" brnzp="" run="" skips="" next="" jumps="" player2_board="" 2="" add="" r5="" adds="" column="" value="" address="" ldr="" 0="" r4="" has="" contained="" in="" adress="" brz="" guessvalid0="" if="" is="" guess="" valid="" jump="" label="" 2="" subtracts="" as="" it="" will="" be="" valid="" when="" memory="" guessvalid2="" check="" for="" guess="" r4="0" lea="" inv_gs_msg="" neither="" of="" above="" guess="" loads="" invalid="" message="" trap="" x22="" prints="" geuss="" invalid_guess="" 1="" st="" guessed="" stores="" guessed="" labelled="" location="" retz="" 1="" signifies="" miss="" str="" valid_guess="" 0="" 0="" 3="" hit="" saver72="" ret="" returns="" where="" subroutine="" was="" called="" your="" code="" goes="" here="" valid_guess="" fill="" x00="" invalid_guess="" x01="" get_inputs="" row="" row_msg="" r0="" with="" input="" rowinv="" char_lc_a="" r3="" wit="" base="" character="" a="" this="" get_valid_input="" jsr="" jumps="" printrow="" and="" 0="" 0="" r1="" recieved="" from="" get="" inputs="" x21="" rowval="" rowval="" column="" column_msg="" columninv="" char_zero="" load="" get="" printcolumn="" get_valid_inputs="" colval="" colval="" update="" stringz="" ninput="" x20="" takes="" user="" char_q="" r2="" q="" not="" r2="" inverts="" bits="" 1="" makes="" complement="" r2="" exitq="" exit="" 0="" initializes="" r3="" r3="" chharacter="" r4="" complements="" r0="" negative="" brn="" checks="" no="" greater="" than="" now="" we="" check="" smaller="" than="" 9="" the="" 9="" forms="" 0="" initialisez="" r5="" stores="" base="" char="" 0="" r0="" adds="" char_zero="" zero="" ascii="" 9="" negative="" r3="" brnz="" jumps="" invalid_input_msg="" msg="" char_zero="" wi="" char_q="" x51="" fills="" invalid_input_msg="" ninvalid="" try="" x25="" exits="" command="" char_q="" pre=""&gt;&lt;/r1+0&gt;&lt;/pre&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5326470025650430217-5430092619677361829?l=gauravjaina.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gauravjaina.blogspot.com/feeds/5430092619677361829/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5326470025650430217&amp;postID=5430092619677361829' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/5430092619677361829'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/5430092619677361829'/><link rel='alternate' type='text/html' href='http://gauravjaina.blogspot.com/2011/03/battleship-code-in-lc-3-assembly.html' title='Battleship Code in LC-3 Assembly'/><author><name>jaina</name><uri>http://www.blogger.com/profile/02475558979306024602</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5326470025650430217.post-1760275468462528239</id><published>2010-12-13T09:05:00.000-08:00</published><updated>2010-12-13T09:11:16.055-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='machuca'/><category scheme='http://www.blogger.com/atom/ns#' term='movie review'/><category scheme='http://www.blogger.com/atom/ns#' term='imperialism'/><category scheme='http://www.blogger.com/atom/ns#' term='war'/><category scheme='http://www.blogger.com/atom/ns#' term='class conflict'/><title type='text'>Class Conflict in Machucha - Movie Reaction</title><content type='html'>&lt;p style="margin-top: 0pt; margin-bottom: 0pt; text-align: justify; font-family: trebuchet ms;" id="internal-source-marker_0.6471604337409871"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Machuca: Bridging the gap over troubled waters&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify; font-family: trebuchet ms;"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;There are many examples in literature where children’s eyes are used to envision an intensely difficult times. Anne frank’s &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;The Diary of a Young Girl&lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt; on the holocaust, young favela boys &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;in City of God&lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt; and &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;City of Men&lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt; or the young boys and girls from Mumbai’s slums in &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;SlumDog Millionaire&lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;.  &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;Machuca&lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt; is no different.  &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;Machuca&lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;  explores a variety of social relations Chile in the year 1973 through  the eyes of protagonists, kids Pedro Machuca and Gonzalo Infante.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;The  movie revolves around the friendship of these two boys, how they come  together under the socialist regime of Salvador Allende. Their  friendship shows as a breaking barrier between classes under socialist  times. But their friendship is only temporary and comes to an end with  the Allende government collapsing due to a military &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;coup d’état&lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;With  this paper I plan to describe how the class and social conflict present  in the Chile is addressed in the movie through their friendship and  political events of the time. This paper will also attempt to discover  how the use of visual metaphors emphasizes this topic in a subtle manner  in the movie.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;The  movie is broken down to three parts for discussion via a specific  scene. The first part show how socialism is budding in the Chilean  society under Salvador Allende’s &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;Unidad Popular&lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;  government. The second part will discuss how these socialist policies  are not well received, and there are troubles and friendship between  Gonzalo and Pedro begins to break. And the third part will discuss the  events of Augusto Pinochet’s military &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;coup d’état.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;According  to Britannica, “Marxists in particular tend to depict social life in  capitalist society as a struggle between a ruling class, which wishes to  maintain the system, and a dominated class, which strives for radical  change.”  This forms a basis for a social conflict theory. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;The initial parts of the movie show how the socialist government is bridging this gap between ruling and dominated class. The &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;Unidad Popular &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;government  of Allende is trying to transform the society from a capitalist to a  socialist one, and somehow trying to overcome the prevailing social and  class conflicts present in the society. There are socialist headlines in  the papers, and we see words such as ‘Death of Capitalism’, ‘right wing  end’, ‘right wings beware’. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Gonzalo  Infante is a rich pre-teen boy studying in an upper class school. The  priest, Father McEnroe is the principal of his school and is trying to  implement socialist policies of Allende’s government. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Class  conflict is apparent when Father McEnroe introduces the kids from  shantytown to the upper class school. Boundaries are clear, rich v/s  poor, uniform v/s ragged torn clothes. On asked whether any student  knows any of the new student’s, a boy identifies a shantytown kid as the  son of a lady who washes his clothes. This distinction is amplified by  this revelation.  On being asked his name, one of the poor kids Pedro  Machuca answers in a low timid voice. Father McEnroe is angered, and  asks him to speak louder until he shouts his name out. Father McEnroe  hence tries to thrust power to the repressed class, another socialist  act. This new found power is later exercised by Machuca when he is  bullied; he says “Take it up to the priest.” Signifying that Father  McEnroe is a source of power to him, just as Allende was fighting for  the empowerment of the poor. Father McEnroe places the students randomly  and Machuca happens to be seated behind Gonzalo. This is the first step  towards friendship between them.  &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;These  acts of Father McEnroe such as empowering the poor and social mixing in  the school can be considered analogous to acts of Allende’s &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;Unidad Popular &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;socialist government; with the friendship serving as a metaphor for breaking the barrier between classes. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;While  Gonzalo helps Pedro in school, his family problems lead him to come  close to Pedro and his cousin Silvana. For a small time, they share  growing up experiences together; first experiences of sexuality and  alcoholism. Machuca falls in love with the rich lifestyle which includes  Adidas shoes, comic books and bicycle.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;As the movie progresses class distinction become more prominent with the rising political tensions.   &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;  While selling flags at a rally, the three of them are jumping to mock  ‘mummies’, chanting ‘jump if you’re not ‘mummie’. Gonzalo asks about  what ‘mummies’ mean – to which Silvana replies “someone rich and spoilt  like you.” Gonzalo is taken aback by this pointing of distinction by  Silvana. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Tensions  include Silvana’s fight with Gonzalo’s mother and her derogatory  remarks about his mother, and Pedro’s alcoholic father blatantly  pointing out what the future hold for them. How Gonzalo would be  successful and Pedro would be cleaning toilets all his life.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;In  the scene in which parents are meeting with father McEnroe defines the  second part of the movie, exemplifying the growing class conflict and  how the socialist regime cannot handle it. Gonzalo’s mother talks about  how it is difficult to mix apples and pears, not because either one of  them are bad, but because one is different form the other. But the main  crux of the matter comes into picture when one of the parents explains  how he donated pigs to the school farm, and pigs are becoming ill and  dying. He points out that because the funds meant for the pigs are being  diverted to accommodate the poor children. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt; Pedro’s mother has a very strong statement in a reply to these comments.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;  “When I was a child I lived at a farm near San Nicolas, in the south.  My father was one of the workers who took care of the cattle. If  something happened to an animal, we got it discounted from the  provisions we got at the end of the month. It didn’t matter what the  reason for loss, my father was always the guilty one. I came to Santiago  when I was 15, because I didn’t want my children to be always guilty of  everything. But it seems that in here in the city things are the same.  We are always the ones who are guilty.” &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;She says this because here also they are being blamed for the dying pigs. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Later  on we see that the all the pigs die due to illness, which serve as a  metaphor for the fact that the social system is not working, there are  problems the government was failing. Gonzalo and Pedro’s friendship had  come to an end with the act that Pedro and Silvana taking his bicycle  without permission and him insulting them.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Paul  Virilio states that (as cited by Martin-Cabrera and Voionmaa, 2007, p.  69) Velocity, is linked to wealth and power, and here both sneakers and  the bicycle are &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;instruments of velocity. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;As  long as Pedro, the poor took permission for access to the bike and  sneakers, Gonzalo, the rich was ok with it. This parallels the Chilean  way of socialism which according to Cabrera and Voionmaa “had to be  peaceful and within the parameters of parliamentary democracy” they  suggest “Machuca’s temporary ride echoes Allende’s attempt to give  hegemonic velocity to working class.”   &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;With the end of their friendship, and military &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;coup d’état &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;of 11&lt;/span&gt;&lt;span style="font-size: 7.2pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: super;"&gt;th&lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt; September 1973, we enter into the third phase of the movie.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;While  Gonzalo is in his mother’s lovers apartment, the right wing supporting  old man. He sees that people are catching dogs and taking them away. He  gets scared, to hear the dogs bark and whine in pain. It is unclear why  the dogs are being taken away, possibly for food as the resources for  poor are scarce, but it sure is cruel nonetheless. He goes and knocks  hard on the door in which his mother is sleeping with her lover, because  he is scared, but the lover and his mother are calm about it and ask  him to remain so. This in fact serves as a metaphor for the second last  scene, in which the military is mercilessly killing and taking people of  the shantytown in trucks. Gonzalo rides his bike up to the shanty-  town. Pedro and his family are being taken away just as the people and  the streets were taking the dogs away.  Silvana dies of a gunshot in  while trying to save her father, he is shocked and scared. Gonzalo  himself is subject to military personnel cornering him, but he gets away  showing his upper-class clothes and sneakers. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;This whole scene depicts the military violence and human rights violation under Pinochet. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;In  the final scene, Gonzalo views Pedro’s slum from the opposite side of a  soccer field.  This was the soccer field separating them, and is an  obvious metaphor for social and class conflict, which was diminishing  during Allende’s time but couldn’t totally be extinguished.  Martin-Cabrera and Voionmaa point out the 30 years on, these problems of  poverty, and social conflict have increased.  It is the wealth polarity  that causes class conflict. According to Luis Eduardo Herrera, the  “Chilean Miracle” of rising G.D.P. due to Chicago boy’s Policy is  actually a myth.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;  Anderson states that (as cited by Larrain) “Poverty today is not  because of the lack of jobs, since the unemployment rate is only 5 to 6  percent. The poor have jobs, but they have very low-paying jobs.” I.e.  the rich have gotten richer, while the poor have gotten poorer. The  attempt to bridge the classes and reduce social conflict was futile as  the Allende Government toppled and the gap hasn’t been narrowed ever  since. How much of this gap can be narrowed depends on the economic and  political Chile employs in the future.  &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;References:&lt;/span&gt;&lt;/div&gt;&lt;ul style="text-align: justify; font-family: trebuchet ms;"&gt;&lt;li style="list-style-type: disc; font-size: 10pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Boyle, Danny. 2008. Slumdog Millionaire. United Kingdom: &lt;/span&gt;&lt;a href="http://www.imdb.com/company/co0108804/"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Pathé Pictures International&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;.&lt;/span&gt;&lt;/li&gt;&lt;li style="list-style-type: disc; font-size: 10pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Frank, Anne. (1952). The diary of a young Girl (English Translation). Netherlands: Contact Publishing.&lt;/span&gt;&lt;/li&gt;&lt;li style="list-style-type: disc; font-size: 10pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Herrera, L.E. (2010), Neo-liberalization as a practice: Case Study of Chile. Class Power Point Keynote 18. Slide 34. &lt;/span&gt;&lt;/li&gt;&lt;li style="list-style-type: disc; font-size: 10pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Larrain S. (n.d.). The Case of Chile: Dictatorship and Neoliberalism. Third World Traveller. Retrieved from: &lt;/span&gt;&lt;a href="http://www.thirdworldtraveler.com/Globalization/Case_Chile_VFTS.html"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;http://www.thirdworldtraveler.com/Globalization/Case_Chile_VFTS.html&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li style="list-style-type: disc; font-size: 10pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Lins, Paulo. (2002). City of God. Brazil/France: &lt;/span&gt;&lt;a href="http://www.imdb.com/company/co0069394/"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;O2 Filmes&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt; &amp;amp; &lt;/span&gt;&lt;a href="http://www.imdb.com/company/co0026273/"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Globo Filmes&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li style="list-style-type: disc; font-size: 10pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Martin-Cabrerra L., &amp;amp; Voionmaa, D.N. (2007) Class conflict, State of exception and Radical Justice in &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;Machuca &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;by Andres Wood. &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;Journal of Latin American Cultural Studies,pp.63-80&lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;.&lt;/span&gt;&lt;/li&gt;&lt;li style="list-style-type: disc; font-size: 10pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Morelli, Paulo. (2007). City of Men. Brazil: &lt;/span&gt;&lt;a href="http://www.imdb.com/company/co0022768/"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Fox Filmes do Brasil&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt; &amp;amp; O2 Filmes.&lt;/span&gt;&lt;/li&gt;&lt;li style="list-style-type: disc; font-size: 10pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Social change. (2010). In &lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: italic; text-decoration: none; vertical-align: baseline;"&gt;Encyclopædia Britannica&lt;/span&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;. Retrieved November 16, 2010, from Encyclopædia Britannica Online: &lt;/span&gt;&lt;a href="http://www.britannica.com/EBchecked/topic/550924/social-change"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;http://www.britannica.com/EBchecked/topic/550924/social-change&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt; &lt;/span&gt;&lt;/li&gt;&lt;li style="list-style-type: disc; font-size: 10pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;&lt;span style="font-size: 12pt; color: rgb(0, 0, 0); background-color: transparent; font-weight: normal; font-style: normal; text-decoration: none; vertical-align: baseline;"&gt;Wood, Andres. 2004. Machuca. Chile: Andres Wood Producciones.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5326470025650430217-1760275468462528239?l=gauravjaina.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gauravjaina.blogspot.com/feeds/1760275468462528239/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5326470025650430217&amp;postID=1760275468462528239' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/1760275468462528239'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/1760275468462528239'/><link rel='alternate' type='text/html' href='http://gauravjaina.blogspot.com/2010/12/class-conflict-in-machucha-movie.html' title='Class Conflict in Machucha - Movie Reaction'/><author><name>jaina</name><uri>http://www.blogger.com/profile/02475558979306024602</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5326470025650430217.post-6661584069478865854</id><published>2010-12-13T09:01:00.000-08:00</published><updated>2010-12-13T09:02:51.316-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='coke'/><category scheme='http://www.blogger.com/atom/ns#' term='communism'/><category scheme='http://www.blogger.com/atom/ns#' term='drugs'/><category scheme='http://www.blogger.com/atom/ns#' term='imperialism'/><category scheme='http://www.blogger.com/atom/ns#' term='war'/><category scheme='http://www.blogger.com/atom/ns#' term='coca'/><category scheme='http://www.blogger.com/atom/ns#' term='latin america'/><category scheme='http://www.blogger.com/atom/ns#' term='bolivia'/><title type='text'>Coca v/s Coke</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: trebuchet ms;"&gt;THE WAR ON DRUGS&lt;/span&gt;&lt;br /&gt;  &lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;Polarization exists everywhere. The basic nature of  our existence deals with polarization of particles, Electron-Proton,  Matter-Anti Matter, and Communism-Capitalism!  Polarization in a  non-scientific context would mean a difference of ideas in a population  of group. The extreme views of communism and capitalism is an example.  As the proverb goes – “One man's meat is another man's poison.” But what  about drugs like cocaine and heroin? I am sure no one in the world can  argue that Cocaine is good. Cocaine is addictive, destroys lives, and is  simply poisoned. Cocaine being made illegal is justified. &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;In my  recent Latin American Studies Class, I learnt that the president of  Bolivia is campaigning against roll-back on a ban of coca leaf  production. I was initially shocked to see a head of state promoting  such a product. Reading on I realized that coca is not equal to cocaine  and the major economies of Andes region are dependent on coca leaves  production. Coca has been a staple crop and a part of daily life of The  Andean region for more than 2000 years compared to cocaine which has  only been around for less than 200 years. It also has a social  importance and used in religious practices for thousands of years.  Moreover, growth of other crops is not suited for this region. Rather  than banning coca production, say coca supporters, a solution is  developing legitimate uses for coca.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;Here we come across polarization  of thoughts once again. On one hand, The United States is spending  billions of dollars every year for coca leaf eradication, and in South  America- There are vast campaigns to legalize it.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;This paradox of  coca plant as a good and evil has social, political, economic and  geographical aspects to it; which makes me want to learn more, who is  correct? Is the ban on coca leaves justified? I am not questioning  whether cocaine should exists in society, but is the ban on coca leaf  serving an answer  or does it just increase the economic hardships of  already poor countries. &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;I turn to three scholarly journals which serve as secondary sources for my research on this topic. &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;The  first secondary source talks about the drug enforcement in Latin  America and the American war on drugs, while the second source is  related to what the war on drugs means for the common people of the  Andean region and how it negatively affects them. The third source is a  scientific journal that discusses legitimate traditional and illegal  uses of the coca plant. &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;The first secondary source an article  appearing in the journal NACLA Report on the Americas; titled - "The  only war we've got": drug enforcement in Latin America, by Coletta  Youngers. I would like to quote the first line on the article to explain  the complexity of the situation. Youngers starts with saying “To date,  U.S. taxpayers have provided nearly $290 billion for the war on drugs,  yet cocaine and heroin are more readily available, and at cheaper  prices, than ever before.”  Yes, even I was shocked at the figure of  $290 million. In my opinion, instead of going to war on the Coca  producing countries, if this money was spent on economic development of  those countries, there would be less incentives for them to rely on coca  as a crop. &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;There are many reasons the author states for this –  First and foremost, coca required for the cocaine production is very  small and just about 14% of worlds total coca production can satisfy  U.S. Cocaine demands.  Analysis has shown that just 20 square miles of  coca crop is required to produce enough cocaine for the United States  market.  Also eradication policy has no effect on the farmers – they  have no other options. In Colombia, aerial spraying has been tried to  curb coca production but - As bluntly stated by the local Bishop,  Belarmino Correa, "The people fear that if they stop growing coca, they  will die of hunger." For those whose crops have been affected by  eradication policies in Colombia they have two alternatives - to go  deeper into the jungle to grow more coca or to join the ranks insurgency  groups such as the Revolutionary Armed Forces of Colombia (FARC).  Youngers compares coca production to a balloon. This balloon theory is  simple enough: squeezing it in one area merely causes it to flourish  somewhere else.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;I my opinion, economic development of Coca producing  countries is the first step to eradication of cocaine, rather than going  to war on drugs. As cocaine produces will find  a way to get drugs  always.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;The author explains the profit paradox on the war on drugs:  The war on drugs focuses on cutting the coca production from the supply  side, .i.e. South America. But majority of cocaine sale money goes to  the traffickers and not the growers. Former Rand economist Peter Reuter  calculates that doubling the cocaine export price would raise the street  price by no more than 5% - hardly enough to have an impact on cocaine  use. Therefore concentrating on cutting the supply is just an easy means  of acting tough on drugs. &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;This seems obvious, even a person like me  who has little knowledge of economics understands that, I believe that  more of the spending on cocaine eradication should be on the demand  side, rather than just going to war with the plantation societies.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;The  author cites surveys that show increasing trends in drug use act as a  motive for the opposing parties to critcise the government of US. During  Clinton’s administration, Republicans pointed to the lack of  presidential leadership as the key factor explaining the drug-use survey  results. Thus making them spend more on the war on drugs to “show”  their efforts on paper. Increased military spending in Latin America  attributed to war on drugs doesn’t necessarily stop drugs. In the  authors words “ In the name of the drug war, a coherent human rights  policy is thus disappearing from the Administration's approach to Latin  America.” &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;I agree to this belief and the author’s stance on the US  governments policies. I further add - Is going to war any better that  cocaine use? &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;The second source, focusing primary on the drug wars in  Bolivia also appears in the journal NACLA Report on the Americas is  titled - THE PRICE OF SUCCESS: Bolivia's War against Drugs and the Poor,  by Ben Kohl and Linda farthing.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;This source points out that the war  on drugs by USA described by the first source has been most successful  in Bolivia, with the destruction of three fourths of its crop. Also  leaving the economy devastated, thus making the economy of Bolivia  dependant on US. This source points out that $500 million is the annual  loss to Bolivian economy due to coca eradication, this is intriguing as  compared to the $290 Billion spent on eradication programs and war on  drugs.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;The peak of coca production was 1970’s, the author says “For  every acre eradicated under voluntary programs that offered some limited  financial incentives, another acre was planted.” This is in accordance  with the balloon theory of Youngers.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;The US administration is pleased  with the results of war of drugs in Bolivia - "Bolivia has done in the  past two to three years what no other country has done in the drug war  in Latin America," said Manuel Rocha, U.S. Ambassador to Bolivia since  July 2000. "In Latin America, this is the success story."  But this  success comes at a cost of the level actors in the economic pyramid –  the workers. Imagine a country whose economy single most important crop  is reduced to one fourth of its growth. &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;In the early 1990s,  alternative agricultural development projects encouraged farmers to  shift to other crops, such as pineapples, pepper or turmeric. Yet there  was no market for these crops, more than 35,000 families are displaced  by eradication programs according to this source.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;The authors quote -  "Cocaine is not a Bolivian problem," says grower Adrian Martina. "I've  never even seen it. Cocaine is an American problem. Our problem here  comes from those who treat us like criminals because we grow coca, which  we have done for thousands of years."&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;The authors say that the  indigenous people are angry at the US for labeling this crop as a  poison, whereas it has been around for more than two thousand years.  They also describe how the coca leaf is socially important in religious  practices, traditional use such as dulling hunger and fatigue, aiding  digestion and providing minerals. Andean people have chewed coca and  sipped its tea for thousands of years. There are also medicinal uses.  These and other traditional uses are confirmed by the next secondary  source which is a scientific journal article. Coca is celebrated and has  references in ancient Andean poetry, which came in much before cocaine:  &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;This source also talks about how peasants earn just 1.5 % of the  sale of coca, justifying the profit theory of the first source.  Also  meeting the balloon theory of the first source – this source talks about  the fact that if Colombian eradication policies were to be effective-  cultivation would again increase in Bolivia.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;The authors include lines from "Legend of Coca," an oral Andean poem, that show how much coca is revered in the local community.&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;"Guard  its leaves with love. And when you feel pain in your heart, hunger in  your flesh and darkness in your mind, lift it to your mouth. You will  find love for your pain, nourishment for your body and light for your  mind." &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;For majority of the workers, coca has been a livelihood, a means to fend off starvation caused by economic collapse. &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;In  my Latin American Studies class, I learnt about how Evo Morales,  himself a farmer was the head of coca growers union and led resistance  to eradication programs. He is now fighting to increase the cap on legal  coca production and new developing products which include coca.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;My  Third Secondary source shows the importance and uses of coca. The  article is titled “"Cocaine and the coca plant: traditional and illegal  uses." And is by Douglas H. Boucher. It presents illegal uses and  traditional – legal uses. How it reduces hunger pangs and keeps one  active for hours. Much like modern day coffee drinkers use it to keep  active – only coca has been around since 1500 B.C. &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;Coca teas has been popular since ages, and modern day cola also has coca extract.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;Illegal  uses of course are known to all; cocaine is a very harmful drug and can  potentially cause death. It is also one of the most addictive common  drugs, next to heroin&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;Even this source talks about the balloon theory  and failure of eradication policy. “In Bolivia, when 2500 hectares were  eliminated by a major government effort in 1988, another 6800 hectares  of new production began. &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;This source does however conclude that the  evils of cocaine far outweigh the goods of coca  leaf. Coca is no longer  used just by peasants and cocaine industry is thriving. I agree to  that, but banning coca production has no effect on cocaine production  and the market. There must be other means to stop this trafficking –  like perhaps greater punishments, and social awareness among teens.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;It  has a long history of traditional and medicinal uses, but the duality  of use makes coca a complicated matter, can coca exist without cocaine? I  believe not, but certainly going to war and forced eradication is not  helping. In my the US should promote other crops and economic  development rather than going to war. This research makes me conclude  that the ban on coca leaf production is not justified.&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;Source Citation &lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;Youngers,  Coletta. "'The only war we've got': drug enforcement in Latin America."  NACLA Report on the Americas 31.2 (1997): 13+. Academic OneFile. Web. 5  Nov. 2010&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;KOHL, BEN, and LINDA FARTHING. "THE PRICE OF SUCCESS:  Bolivia's War against Drugs and the Poor." NACLA Report on the Americas  35.1 (2001): 35. Academic OneFile. Web. 5 Nov. 2010.&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-family: trebuchet ms;"&gt;Boucher, Douglas H. "Cocaine and the coca plant: traditional and illegal uses." BioScience 41.2 (1991): 72+. Academic OneFile.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5326470025650430217-6661584069478865854?l=gauravjaina.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gauravjaina.blogspot.com/feeds/6661584069478865854/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5326470025650430217&amp;postID=6661584069478865854' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/6661584069478865854'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/6661584069478865854'/><link rel='alternate' type='text/html' href='http://gauravjaina.blogspot.com/2010/12/coca-vs-coke.html' title='Coca v/s Coke'/><author><name>jaina</name><uri>http://www.blogger.com/profile/02475558979306024602</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5326470025650430217.post-3055266439855978188</id><published>2010-10-09T17:33:00.000-07:00</published><updated>2010-12-13T09:13:39.023-08:00</updated><title type='text'>Quote</title><content type='html'>&lt;a href="http://25.media.tumblr.com/tumblr_kstfz0ecVb1qa6zxyo1_500.jpg"&gt;&lt;img style="margin: 0px 10px 10px 0px; width: 500px; float: left; height: 562px;" alt="" src="http://25.media.tumblr.com/tumblr_kstfz0ecVb1qa6zxyo1_500.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5326470025650430217-3055266439855978188?l=gauravjaina.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gauravjaina.blogspot.com/feeds/3055266439855978188/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5326470025650430217&amp;postID=3055266439855978188' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/3055266439855978188'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/3055266439855978188'/><link rel='alternate' type='text/html' href='http://gauravjaina.blogspot.com/2010/10/quotes.html' title='Quote'/><author><name>jaina</name><uri>http://www.blogger.com/profile/02475558979306024602</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5326470025650430217.post-831460621961157619</id><published>2008-05-25T13:16:00.000-07:00</published><updated>2008-05-25T13:51:10.515-07:00</updated><title type='text'>Monaco Gods</title><content type='html'>Being the best formula 1 driver is quite simple, just win the monaco grand prix. The broadest of the monaco lanes is narrower than the narrowest singapore lane.&lt;br /&gt;Aryton senna is surely the monaco God, he wont it around 5-6 times, Alonso did it twice(Breaking schumachers Championship spree takes an act of God). Hamilton came 2nd last year and he's God this year. Before the race, the way he was talking, one could make out that he wants this more than the championship itself. Reminded me of muhammad ali (I hope the spelling is correct.) Hamilton started off with a bang, clearing rakka out of the way and steering well behind Massa(read loser). He did falter once one the 280Kmph Straight that took his tyre off, but not his heart. He quickly pitted with around 70 of the 78 laps remaining. And I forgot to tell you it was raining. Rain + Monaco - Traction Control = NEEDS GOD. I hope you get the picture. Whatever, the race went on and Hamilton won, If you want more details- watch the race, it was quite dramatic let me tell you that.&lt;br /&gt;I'll just tell you the most dramatic of all the Monaco 2008 events. ADRIAN SUTIL OF FORCE INDIA WAS IN 4TH Position with 10 minutes remaining. LMAO. Force India in the 4th position, The F1 Gods did not like it, so they sent Kimi rakka up his ass--- Thats true. One of the best drivers of our time spoiling the party for Force india who had overtaken a ferrari for the first time in the 2008 season.Thats like slapping a kid for being too good. God, Sutil had overlapped Heikki and was clocking fastest laps with his Force India, he does deserve something. But all is fair in Love and War.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5326470025650430217-831460621961157619?l=gauravjaina.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gauravjaina.blogspot.com/feeds/831460621961157619/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5326470025650430217&amp;postID=831460621961157619' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/831460621961157619'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/831460621961157619'/><link rel='alternate' type='text/html' href='http://gauravjaina.blogspot.com/2008/05/monaco-gods.html' title='Monaco Gods'/><author><name>jaina</name><uri>http://www.blogger.com/profile/02475558979306024602</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5326470025650430217.post-3045655573779048086</id><published>2007-10-15T04:04:00.000-07:00</published><updated>2007-10-15T04:08:01.482-07:00</updated><title type='text'>A Real Man!!</title><content type='html'>&lt;a href="http://www.imdb.com/name/nm0618690/"&gt;&lt;span style="color:#000000;"&gt;Sandro Cenoura&lt;/span&gt;&lt;/a&gt;: Have you lost your mind? You are just a child!&lt;br /&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.imdb.com/name/nm1130610/"&gt;&lt;span style="color:#000000;"&gt;Filé-com-Fritas - Steak and Fries&lt;/span&gt;&lt;/a&gt; (a 10 year old kid): Listen man, I smoke, I snort... I've been begging on the street since I was just a baby. I've cleaned windshields at stop lights. I've polished shoes, I've robbed, I've killed... I ain't no kid, no way. I'm a real man.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5326470025650430217-3045655573779048086?l=gauravjaina.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gauravjaina.blogspot.com/feeds/3045655573779048086/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5326470025650430217&amp;postID=3045655573779048086' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/3045655573779048086'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/3045655573779048086'/><link rel='alternate' type='text/html' href='http://gauravjaina.blogspot.com/2007/10/real-man.html' title='A Real Man!!'/><author><name>jaina</name><uri>http://www.blogger.com/profile/02475558979306024602</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5326470025650430217.post-2346510982523482712</id><published>2007-09-08T04:12:00.000-07:00</published><updated>2007-09-08T04:13:12.791-07:00</updated><title type='text'>One of my Sms's</title><content type='html'>Hot news.. Robin UTHAPPA gives an uthappam treat to flintoff and pieterson for losing the match. Looks like a raw deal but they had never had such tasty uthappam before. they have agreed to lose the next match also, for a lifetime supply of uthappam. Rahul dravid however didn't finalise the deal because winning both the test and one day series on a single tour goes against his mentor sharad pawars policy.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5326470025650430217-2346510982523482712?l=gauravjaina.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gauravjaina.blogspot.com/feeds/2346510982523482712/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5326470025650430217&amp;postID=2346510982523482712' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/2346510982523482712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/2346510982523482712'/><link rel='alternate' type='text/html' href='http://gauravjaina.blogspot.com/2007/09/one-of-my-smss.html' title='One of my Sms&apos;s'/><author><name>jaina</name><uri>http://www.blogger.com/profile/02475558979306024602</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5326470025650430217.post-7399856557997392831</id><published>2007-05-29T03:21:00.000-07:00</published><updated>2007-05-29T03:30:24.279-07:00</updated><title type='text'>Lost Flock and 5 Melting Cheddars</title><content type='html'>Daunting Aims,&lt;br /&gt;Apocryphal Tales,&lt;br /&gt;Deterrent Classes,&lt;br /&gt;Deliberate Lasses.&lt;br /&gt;&lt;br /&gt;Caricature of a Calculus,&lt;br /&gt;Foolhardy and frivolous,&lt;br /&gt;Unorthodox ways,&lt;br /&gt;Discreet Lanes.&lt;br /&gt;&lt;br /&gt;Pod &amp;amp; Rock,&lt;br /&gt;Streets to flock,&lt;br /&gt;Sugary Sweet Tea,&lt;br /&gt;Parody for free.&lt;br /&gt;&lt;br /&gt;One for the fastest,&lt;br /&gt;lost in the masses,&lt;br /&gt;Obscured mocks,&lt;br /&gt;Ubiquitous Dogs.&lt;br /&gt;&lt;br /&gt;Embellished Notes,&lt;br /&gt;Elusive scores,&lt;br /&gt;Gravity and Tension,&lt;br /&gt;Nonchalance and Elation.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5326470025650430217-7399856557997392831?l=gauravjaina.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gauravjaina.blogspot.com/feeds/7399856557997392831/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5326470025650430217&amp;postID=7399856557997392831' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/7399856557997392831'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/7399856557997392831'/><link rel='alternate' type='text/html' href='http://gauravjaina.blogspot.com/2007/05/lost-flock-and-5-melting-cheddars.html' title='Lost Flock and 5 Melting Cheddars'/><author><name>jaina</name><uri>http://www.blogger.com/profile/02475558979306024602</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5326470025650430217.post-8593385329185537851</id><published>2007-04-29T23:02:00.000-07:00</published><updated>2010-12-13T09:16:59.054-08:00</updated><title type='text'>Trainspotting- The opening lines</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_mTHUC7kq73Y/RjWHlvGRLOI/AAAAAAAAAAM/rRUG_iL49SM/s1600-h/trainspotting.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" src="http://3.bp.blogspot.com/_mTHUC7kq73Y/RjWHlvGRLOI/AAAAAAAAAAM/rRUG_iL49SM/s320/trainspotting.jpg" alt="" id="BLOGGER_PHOTO_ID_5059098838788287714" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div  style="font-style: italic; text-align: justify;font-family:times new roman;"&gt;&lt;span style="font-weight: bold;"&gt;Amazing movie, check out the opening lines.&lt;br /&gt;Voice over by the protagonist Renton.&lt;br /&gt;&lt;/span&gt;&lt;blockquote&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;"Choose life. Choose a job. Choose a career. Choose a family,&lt;br /&gt;   Choose a fucking big television, Choose washing machines, cars,&lt;br /&gt;   compact disc players, and electrical tin openers.&lt;br /&gt;Choose good health, low cholesterol and dental insurance. Choose&lt;br /&gt;   fixed-interest mortgage repayments. Choose a starter home. Choose&lt;br /&gt;   your friends.&lt;br /&gt;Choose leisure wear and matching luggage. Choose a three piece&lt;br /&gt;   suite on hire purchase in a range of fucking fabrics. Choose DIY&lt;br /&gt;   and wondering who you are on a Sunday morning. Choose sitting on&lt;br /&gt;   that couch watching mind-numbing sprit-crushing game shows,&lt;br /&gt;   stuffing fucking junk food into your mouth. Choose rotting away at&lt;br /&gt;   the end of it all, pishing you last in a miserable home, nothing&lt;br /&gt;   more than an embarrassment to the selfish, fucked-up brats you&lt;br /&gt;   have spawned to replace yourself. Choose your future. Choose life.&lt;br /&gt;I chose not to choose life: I chose something else. And the&lt;br /&gt;  reasons? There are no reasons. Who need reasons when you've got&lt;br /&gt;  heroin?"&lt;pre&gt;&lt;/pre&gt;&lt;/blockquote&gt;&lt;pre&gt;&lt;br /&gt;&lt;a style="font-family: georgia;" href="http://www.imdb.com/title/tt0117951/"&gt;&lt;span style="font-size:100%;"&gt;For Reviews and more Click here&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/pre&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5326470025650430217-8593385329185537851?l=gauravjaina.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gauravjaina.blogspot.com/feeds/8593385329185537851/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5326470025650430217&amp;postID=8593385329185537851' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/8593385329185537851'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5326470025650430217/posts/default/8593385329185537851'/><link rel='alternate' type='text/html' href='http://gauravjaina.blogspot.com/2007/04/trainspotting-opening-lines.html' title='Trainspotting- The opening lines'/><author><name>jaina</name><uri>http://www.blogger.com/profile/02475558979306024602</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_mTHUC7kq73Y/RjWHlvGRLOI/AAAAAAAAAAM/rRUG_iL49SM/s72-c/trainspotting.jpg' height='72' width='72'/><thr:total>1</thr:total></entry></feed>
